Dimensional Cardboard Art by James Grashow
I disappeared down a Google-eyed rabbit hole for a good long while this past weekend after hearing about artist James Grashow and The Cardboard Bernini, an
award-winning documentary by Olympia Stone.
Via a The New York Times article, Grashow spoke of cardboard: “It’s so ephemeral,” he said. “It’s so grateful for the opportunity to become something, because it knows it’s going to be trash.”
Grashow, a Brooklyn-born sculptor and woodcut artist, has a contagious enthusiasm for the sculptures that he cuts and shapes from cardboard, chipboard, and paper maché. So contagious in fact, I think a trip to Wilmington, North Carolina is in order to see Corrugated World: The Artwork of James Grashow at Cameron Art Museum, on display through August 3. A community art project is involved and what a treat for those who participate... Jimmy, as he is known, is a natural-born teacher.
Great Gulliver Project is an example of an installation created with university students, but he does educational cardboard workshops for any age group. "I am convinced there is a link between corrugated board and creativity. Its very valuelessness liberates us. Boxes, tubes, sheets of corrugated board - everything that lives between the good stuff and garbage - becomes a perfect partner for play."
One of Jimmy's early forays into cardboard art was Yazoo - A Corrugated Menagerie, an environmental installation that included alligators, lions, tigers, a giraffe, gorilla, and more for the Aldrich Contemporary Art Museum in Ridgefield, Connecticut.
Monkeys with toilet paper roll eyes (as seen in O magazine) went on to multiply and star in their own shows. Here they are in The Great Monkey Project, swinging over a stairwell at the DeCordova Museum and Sculpture Park in Lincoln, Massachusetts.
Lest you think Grashow doesn't work on a small scale, his series of remarkable flower arrangements, Houseplants, burst forth with intricate structures that depict "the fragile relationship between nature and man."
Stunning Cardbirds, inspired by James Audubon prints and made from corrugated cardboard and twist ties, speak to "a unique dimensional vision. The birds and their habitat - timeless and beautiful - are married to the most banal and overlooked of materials."
Grashow constructed an incredible corrugated Baroque fountain interpretation - a Grashow-Bernini, if you will, over a six year period with the intention that it would eventually be left outside in the rain and wind to disintegrate. Sound crazy? Not when you hear his thoughts on the creative process.
Via a The New York Times article, Grashow spoke of cardboard: “It’s so ephemeral,” he said. “It’s so grateful for the opportunity to become something, because it knows it’s going to be trash.”
Grashow, a Brooklyn-born sculptor and woodcut artist, has a contagious enthusiasm for the sculptures that he cuts and shapes from cardboard, chipboard, and paper maché. So contagious in fact, I think a trip to Wilmington, North Carolina is in order to see Corrugated World: The Artwork of James Grashow at Cameron Art Museum, on display through August 3. A community art project is involved and what a treat for those who participate... Jimmy, as he is known, is a natural-born teacher.
Great Gulliver Project is an example of an installation created with university students, but he does educational cardboard workshops for any age group. "I am convinced there is a link between corrugated board and creativity. Its very valuelessness liberates us. Boxes, tubes, sheets of corrugated board - everything that lives between the good stuff and garbage - becomes a perfect partner for play."
One of Jimmy's early forays into cardboard art was Yazoo - A Corrugated Menagerie, an environmental installation that included alligators, lions, tigers, a giraffe, gorilla, and more for the Aldrich Contemporary Art Museum in Ridgefield, Connecticut.
Monkeys with toilet paper roll eyes (as seen in O magazine) went on to multiply and star in their own shows. Here they are in The Great Monkey Project, swinging over a stairwell at the DeCordova Museum and Sculpture Park in Lincoln, Massachusetts.
Lest you think Grashow doesn't work on a small scale, his series of remarkable flower arrangements, Houseplants, burst forth with intricate structures that depict "the fragile relationship between nature and man."
Stunning Cardbirds, inspired by James Audubon prints and made from corrugated cardboard and twist ties, speak to "a unique dimensional vision. The birds and their habitat - timeless and beautiful - are married to the most banal and overlooked of materials."
Visit James Grashow's website for more.
